In the Footsteps of painter Richard Hall

  Portrait d'un homme, 1897 (Portrait of a Man) Oil on Canvas, 110,2 x 91,2 cm Musée d'arts de Nantes Photo: Cécile Clos / Musée d'arts de Nantes I’ve mentioned in a few earlier blog posts that Richard Hall lived between 1897 and 1899 at two addresses: Avenue Victor-Hugo 43 in Paris and Rue La Galissonnière 3 in Nantes. From digitized newspapers in the French National Library, I found two articles related to Hall’s work in Nantes. They reveal that he held exhibitions there and had a studio at least from the beginning of 1898. In addition to these news articles, this post draws on information from the website of INHA , the French National Institute for Art History, which provides insights into the art scene in Nantes. News Coverage A news item published in Journal le Phare de la Loire on December 23, 1897 , states that Hall’s works were frequently admired in the window display of Laugé, and that he “has just held a very beautiful private exhibition at the Préaubert gallery....

Moines trappistes; abbaye de Melleray (Loire-Inférieure) Trappist monks Exhibited at the Salon in 1897 Photo: Salon catalogue 1897  Many aspects of Richard Hall's life in the 1890s remain unclear. He reported that he married his cousin Julia Perregaux (in an article written by Mauri R. Hall, her surname is Cornetz) in 1881. She passed away in 1891. The marriage produced son Georges and daughter Agnes. According to the website geni.com they were both born in 1884. As I mentioned in my  blog post about Hall's places of residence, his address was in Le Pouldu in 1890–1893, in Paris in 1894–1896, and in both Nantes and Paris in 1897–1899. I am currently aware of 27 works that Hall produced during those years. Not all of them have photographs. After Hall moved back to Paris, his works were mainly portraits. It was probably then that the development began that led to his successful career as a portrait painter in the following decade. Working in the abbey In an interview with the ...

Philip Tassier: Le Pouldu: farmyard, cirka 1910 Source: Wikimedia Commons Richard Hall has reported that he lived in Brittany for six years. This was probably between 1887 or 1888 and 1893, as I wrote in my previous blog post . Apparently, Hall and his family lived in Le Pouldu for most of that time. It is a small village by the sea on the southern coast of Brittany, southeast of Quimper. Hall's move was part of a larger trend: at that time, artists were flocking to Brittany. It was considered to have an authentic, distinctive culture and picturesque landscapes. My source material includes the publication Taiteilijoiden Bretagne 1800-luvun lopussa (Artists in Brittany at the End of the 19th Century, 1998) by the Akseli Gallen-Kallela Museum, as well as two books published in France about Nordic artists in Brittany: Artistes finlandais en Bretagne 1880-1890 (1990) and Échappées nordiques: Scandinavian and Finnish Artists in France 1870-1914 (2008). These are the only recent book...

Victor Levasseur, Map of France, Atlas National Illustre, 1852 Source: Wikimedia Commons Places of residence 1883–1900 I have briefly described the stages of Richard Hall's life in my blog post The Forgotten Cosmopolitan . We know that after moving to France, he first lived in Paris and studied at private art schools. He then lived for six years in Brittany, in northwestern France. After the death of his wife, which is known to have occurred in 1891, he lived for eight months in a monastery in Nantes. However, it is not known exactly when he lived in these places. Addresses I used the Musée D’Orsay’s database on the Salons in my previous blog post, Memories of the Salons . In addition to that information, the database also contained Richard Hall’s addresses for the years when he had works on display at the Salons. The exception is 1888, for which no address is given. Furthermore, Hall did not have any works in the Salon in 1889, so there is no address information for that year eit...

La fille du cabaretier Source:  https://gallica.bnf.fr/ark:/12148/bpt6k110430p/f235.item In my previous blog post , I discussed the works by Richard Hall that were selected for exhibition at the Salons between 1883 and 1900. Hall recounted his memories of the Salons in an interview with the Finnish newspaper Uusi Suometar on October 24, 1909 . The interview reveals where some of the works exhibited at the Salons were purchased. In addition, information about the works can be found in the database maintained by the Musée D'Orsay. It contains titles of the works and artists presented at the salons. Some titles include the name of their owner at the time. This information helps me in my search for Hall's works. Interview with the newspaper Uusi Suometar Here are the artist's own views on the Salons. The interview was conducted in 1909 during the artist's visit to Finland: - I have heard that you were not as interested in the Paris art salons as you were in the high society...

Detail from the exhibition catalog of the Salon of 1889. Source: https://gallica.bnf.fr/ark:/12148/bpt6k202497x/f7.item   After studying in Stockholm, Richard Hall moved to Paris. With a travel grant from the Swedish government, he continued his studies at private art schools. So far, I have found little source material on Hall's years in France, so let us first take a look at the works he exhibited at the Salons in Paris. At the time, it was the world's largest and most famous annual art exhibition, featuring thousands of paintings and sculptures. The Salon has its roots in the exhibitions organized by the Académie royale de peinture et de sculpture (Royal Academy of Painting and Sculpture) from 1667 onwards. In 1725, the salon was moved to the Louvre Museum, and from 1737 onwards, the exhibitions were open to the general public. Having a work exhibited at the Salon meant royal approval, which was the greatest possible merit for an artist at the time. The official name of the ...