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Memories of Salons

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La fille du cabaretier Source:  https://gallica.bnf.fr/ark:/12148/bpt6k110430p/f235.item In my previous blog post , I discussed the works by Richard Hall that were selected for exhibition at the Salons between 1883 and 1900. Hall recounted his memories of the Salons in an interview with the Finnish newspaper Uusi Suometar on October 24, 1909 . The interview reveals where some of the works exhibited at the Salons were purchased. In addition, information about the works can be found in the database maintained by the Musée D'Orsay. It contains titles of the works and artists presented at the salons. Some titles include the name of their owner at the time. This information helps me in my search for Hall's works. Interview with the newspaper Uusi Suometar Here are the artist's own views on the Salons. The interview was conducted in 1909 during the artist's visit to Finland: - I have heard that you were not as interested in the Paris art salons as you were in the high society...

Salon de Paris

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Detail from the exhibition catalog of the Salon of 1889. Source: https://gallica.bnf.fr/ark:/12148/bpt6k202497x/f7.item   After studying in Stockholm, Richard Hall moved to Paris. With a travel grant from the Swedish government, he continued his studies at private art schools. So far, I have found little source material on Hall's years in France, so let us first take a look at the works he exhibited at the Salons in Paris. At the time, it was the world's largest and most famous annual art exhibition, featuring thousands of paintings and sculptures. The Salon has its roots in the exhibitions organized by the Académie royale de peinture et de sculpture (Royal Academy of Painting and Sculpture) from 1667 onwards. In 1725, the salon was moved to the Louvre Museum, and from 1737 onwards, the exhibitions were open to the general public. Having a work exhibited at the Salon meant royal approval, which was the greatest possible merit for an artist at the time. The official name of the ...